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• 2023-11-08
• in Biography & Autobiography
• Timothy Dean Lefler

Mabel Normand

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American silent film actress Mabel Normand (1892-1930) appeared in a string of popular movies opposite stars like Charlie Chaplin and Fatty Arbuckle before dying of tuberculosis at 37. Her brief but remarkable career--which included directorial and writing credits and heading her own studio and production company--was eclipsed by scandal when police connected her to the unsolved 1922 murder of director William Desmond Taylor.Tracing her life from humble beginnings on Staten Island to the heights of world superstardom, this book highlights Normand's substantial yet largely overlooked contributions to film history and popular culture.

• 2001-11-13
• in History
• Robert Zieger

America's Great War

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Recent bestsellers by Niall Ferguson and John Keegan have created tremendous popular interest in World War I. In America's Great War prominent historian Robert H. Zieger examines the causes, prosecution, and legacy of this bloody conflict from a frequently overlooked perspective, that of American involvement. This is the first book to illuminate both America's dramatic influence on the war and the war's considerable impact upon our nation. Zieger's engaging narrative provides vivid descriptions of the famous battles and diplomatic maneuvering, while also chronicling America's rise to prominence within the postwar world. On the domestic front, Zieger details how the war forever altered American politics and society by creating the National Security State, generating powerful new instruments of social control, bringing about innovative labor and social welfare programs, and redefining civil liberties and race relations. America's Great War promises to become the definitive history of America and World War I.

• 2008-01-22
• in Literary Collections
• Alan Trachtenberg

Lincoln's Smile and Other Enigmas

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A new assemblage of masterly essays from a foremost scholar of American history and culture Alan Trachtenberg has always been interested in cultural artifacts that register meanings and feelings that Americans share even when they disagree about them. Some of the most beloved ones—like the famous last photograph of Abraham Lincoln, taken at the time of his second inaugural—are downright puzzling, and it is their obscure, riddlelike aspects that draw his attention in the scintillating essays of Lincoln's Smile and Other Enigmas. With matchless authority, Trachtenberg moves from the daguerreotypes that entranced Americans from the start (and that Hawthorne made much of in The House of Seven Gables) to literary texts of which he is a peerless interpreter: Howell's novels, Horatio Alger's stories, Huckleberry Finn, the cityscapes of Walt Whitman and Stephen Crane. In his exploration of the ways that nineteenth-and early-twentieth-century writers tried to make sense of the modern American city he also addresses subjects as diverse as Louis Sullivan's Auditorium Building, the Brooklyn Bridge, and the early works of Lewis Mumford. The celebrated author of Reading American Photographs concludes his important new book with "readings" not only of the photographs of Walker Evans, Wright Morris, and Eugene Smith, but of the city images of film noir.

• 1916
• in

Cinema News

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• 2013-02-26
• in True Crime
• Amy Reading

The Mark Inside

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In 1919, Texas rancher J. Frank Norfleet lost everything he had in a stock market swindle—twice. But instead of slinking home in shame, he turned the tables on the confidence men. Armed with a revolver and a suitcase full of disguises, Norfleet set out to capture the five men who had conned him, allowing himself to be ensnared in the con again and again to gather evidence on his enemies. Through the story of Norfleet’s ingenious reverse-swindle, Amy Reading reveals the fascinating mechanics behind the big con—an artful performance targeted to the most vulnerable points of human nature—and invites you into the crooked history of a nation on the hustle, constantly feeding the hunger and the hope of the mark inside.

• 2018-02-01
• in History
• Andrew J. Huebner

Love and Death in the Great War

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Americans today harbor no strong or consistent collective memory of the First World War. Ask why the country fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention began as soon as President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Officials in the military and government, grasping this crucial reality, invested the war with personal meaning, as did popular culture. "Make your mother proud of you/And the Old Red White and Blue" went George Cohan's famous tune "Over There." Federal officials and their allies in public culture, in short, told the war story as a love story. Intervention came at a moment when arbiters of traditional home and family were regarded as under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. In beautifully rendered prose, Andrew J. Huebner merges untold stories of ordinary men and women with a history of wartime culture. Studying the radiating impact of war alongside the management of public opinion, he recovers the conflict's emotional dimensions--its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises.

• 2006
• in Education
• Walter A. Hazen

World War I

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A collection of true stories and activities designed to help students understand what life was like in countries around the world during the First World War.

• 2014-04-01
• in Juvenile Nonfiction
• R. Kent Rasmussen

World War I for Kids

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One hundred years after the start of the “Great War,” World War I for Kids provides an intriguing and comprehensive look at this defining conflict that involved all of the world’s superpowers. Why and how did the war come about? What was daily life like for soldiers in the trenches? What roles did zeppelins, barbed wire, and the passenger ship Lusitania play in the war? Who were Kaiser Wilhelm, the Red Baron, and Edith Cavell? Young history buffs will learn the answers these questions and many others, including why the western front bogged down into a long stalemate; how the war ushered in an era of rapid military, technological, and societal advances; and how the United States’ entry helped end the war. Far from a dry catalog of names, dates, and battles, this richly illustrated book goes in depth into such fascinating, topics as turn-of-the-20th-century weaponry and the important roles animals played in the war, and explains connections among events and how the war changed the course of history. Hands-on activities illuminate both the war and the times. Kids will make a periscope, teach a dog to carry messages, make a parachute, learn a popular World War I song, cook Maconochie Stew (a common trench meal), and more. R. Kent Rasmussen is the author or editor of more than 20 books, including the award-winning The United States at War and many books on Mark Twain. He lives in Thousand Oaks, California.

• 2017-12-06
• in Performing Arts
• Linda Mizejewski

Hysterical!

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Susan Koppelman Award Winner: “A juicy read for those who love the many ways female comics use their art to question the patriarchy.” —Bust Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens, smashing the tired stereotype that women aren’t funny. But today’s funny women didn’t come out of nowhere. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy. “An invaluable collection and a great read.” ?Journal of Popular Culture Winner of a Susan Koppelman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017

• 2017-02-07
• in Performing Arts
• Roy Liebman

Broadway Actors in Films, 1894-2015

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Many Broadway stars appeared in Hollywood cinema from its earliest days. Some were 19th century stage idols who reprised famous roles on film as early as 1894. One was born as early as 1829. Another was cast in the performance during which Abraham Lincoln was assassinated. One took her stage name from her native state. Some modern-day stars also began their careers on Broadway before appearing in films. This book details the careers of 300 performers who went from stage to screen in all genres of film. A few made only a single movie, others hundreds. Each entry includes highlights of the performer's career, a list of stage appearances and a filmography.